Categoría: Textos


  • Riesgo País

    Exhibition Texts These texts were made to the CryptoArg’s IRL exhibition Riesgo País presented in Newton Gallery, New York, during the NFT.NYC week in July 2022. To know more about the exhibition, click here. To visit Fantástico Riesgo País, the digital edition on SuperRare Space, click here. Riesgo País In the land of risk, those […]

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  • Riesgo País

    Textos de exposición Estos Textos fueron producidos para la exposición física Riesgo País de CryptoArg, presentada en julio de 2022, en Newton Gallery, New York, en el marco de la semana de NFT.NYC. Para saber más sobre la muestra, ver Riesgo País en curaduría. Para ver el relato creado para el Space de CryptoArg en […]

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  • From Optical Ilusion to Simulation

    From Optical Ilusion to Simulation

    Eduardo Pla was an artist with a very broad trajectory, which makes him an interesting case to understand media and digital art in Argentina. With 40 years of career, he went through different scenarios that -from the general to the particular- were key to this specialty in art. From his early years he experimented in film, he devoted to cinema, he portrayed the underground scene of Buenos Aires at the end of the 60´s, he worked as theatre director; he lived and grew as an artist at a time when acceleration and change were manifested in a convulsive political period and in the exponential advances of technology.

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  • Cache Tragedy

    Cache Tragedy

    As Chronos ate his children to prevent his fateful destiny, humanity digests its products, transforms them into files, and tries to store everything. In the specific case of scanning the world (be it in the Scan The World initiative or in the Epic Games project), the formal axis is placed in the encoding volume, while the intention is to preserve and democratize access and to generate a digital double of everything that has ever been built to be able to order it into categories that respond to a particular episteme, to a way of organizing the known to encompass it. But what happens with these files, what can we do with all that has been digitally digested, how can we process it, use it, incorporate it? The volume of information that implies “the world” becomes astronomical and overwhelming.

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  • Ejercicios de interpretación II: Ficción informática

    Ejercicios de interpretación II: Ficción informática

    Este texto fue producido en el marco de una muestra de Azul De Monte y Mateo Amaral, presentada en Espacio Pla del 12 de mayo al 2 de julio de 2016.

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  • Derrumbe

    Derrumbe

    Este texto fue producido para una muestra de Juan Sorrentino, presentada del 21 de octubre al 17 de noviembre de 2016 en Acéfala Galería.

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  • La Faz de la Tierra

    La Faz de la Tierra

    Texto de sala de La Faz de La Tierra. La faz de la tierra fue una exposición de obras de Eduardo Pla exhibida entre mayo y diciembre del 2018, en Espacio Pla, donde se presentó un reboot de la video-instalación Videomundo Virtual, a partir de una convocatoria internacional sobre la Globalización y la distancia entre dos momentos de la historia: 1995 y 2018.

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  • La respuesta de los dioses

    La respuesta de los dioses

    Texto producido para la exposición La respuesta de los dioses de Diego Alberti en Laboratorio (Festival) presentada por Espacio Pla, del 22 de agosto al 12 de septiembre de 2018.

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  • Two computers playing Pong

    Two computers playing Pong

    This text proposes a reflection based on the installation Two computers playing Pong by Diego Alberti, exhibited in the Artificially Intelligent at the Victoria & Albert Museum from a collaboration between the festival + CODE and the british museum, within the framework of Digital Design Weekend 2018 in London.

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  • There will come soft rains

    There will come soft rains

    texto for a collective exhibition os Elisa Balmaceda, Bárbara Marcel and Tomoyuki Ueno in Mario Kreuzberg Gallery.

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